We started our walk at 10am in the Derwert Valley beneath the stone ramparts of the Derwent dam with a cup of tea. Fairholmes car-park apparently has a history of its own, I found this out afterwards after noticing the crumbling foundation of the farm and doing some research when I got home. During the construction of the reservoirs the car-park was a masons’ yard it would have likely reverberated the sounds of workers' cutting and shaping stone for the the dams. 

Leaving the valley our route climbs up through Lockerbrook Coppice. Leaving the trees, the route follows the top edge of the vast Hagg Side spruce plantation, before climbing further to Bellhag Tor. We saw a numbers of British finch and Kestrels' all the way across the top, before getting the first glance of the slips in the area. Having crossed the over the stile onto Rowlee Pastures, here you get the first glimpse of the largest landslip in England and our destination for today’s dinner - cheese and pickle on a white bap, plus a pork pie (Thanks Lulu!).

It is called Alport Castles and you can see why when you are stood on The Tower. You look across at a chaotic jumble of tumbled gritstone boulders and grassy covered mounds; It’s a real spectacle. We ate our sandwiches on The Ridge before climbing down to the path that leads to Alport Castles farm. By this time it has started to rain. 

We followed the track down past the farm and followed the valley, seeing and hearing a number of large Jays’. Although they are classed as vermin, I think they are quite a beautiful bird. By this time the rain was torrential and we were both getting quite wet, but still smiling!

We crossed the A57 Snake Road, followed the track and took the bridge over the ford. We continued on the path past Upper Ashop Farm and followed the grassy road called Blackley Hey. Entering the Pinewoods, it smelt great due to the damp and the light was really atmospheric. This path took us all the way down to Yorkshire Bridge and back to the Lady Bower reservoir - back around our car and home for a cup of tea and a well-deserved bath!

I'd recommend this route for anyone looking for a full-day Yomp, it was 14.5 miles round trip with some really scenic views from the very beginning. There are a number of get-out routes on the A57 if you get into any difficulty.

I'd recommend finishing the walk with a pint in the Lady Bower Inn! 

All words and photos by Thom Barnett

A night to remember at Sheffield GP. 

All images by Thom Barnett. 

A view of Otley GP with Dave Coulson and the Cycling Sheffield team. 

All images by Thom Barnett. 

A ride to Lincoln to watch the Grand Prix. 

All images by Thom Barnett. 

5 men, 181.4 miles, 18,307 feet, 4 British county's, 2 days, 1 cheese board. The weekend that will be forever remembered as the Tour de Packhorse. 

All photos by Thom Barnett 

March 2018 was interesting.

Nice clear days plus some snow filled ones.  We made some developments on the Mamnick showroom extensions in Sheffield with Simon. I watched Rowan at Hunk Print melt frozen pipes with his heat gun (between printing t.shirts). I discussed pocket-square designs with Steve (Dry British) down the pub. We did a little Yomp with Fliss and Ian from Campbell-Cole (and their dog Fred) and in contrast, a little pub-Yomp with Ben through snowy parks, over frozen ponds to watch the footie on a Sunday afternoon. 

All these people play a part in Mamnick in one form or another. 

All images taken by Thom Barnett 

I first came across the work of Camille McMillan when I saw Le Metier, the book of ex-Team Sky rider Michael Barry. A full season in the world of a pro-cyclist. The images stood out to me, as it wasn’t your usual ‘sports photography’. How the pro’s prepare, behind the scenes images, have always interested me. It's as close as some will get to being on the 'inside' of the sport and images of this ilk I've always found interesting and inspiring. 

There was something different about the details and aura of the images that Camille captures that were different to what I’d seen before. Not just your standard reportage you find in the weekly magazines, something altogether more stylish, more artistic. 

Me and Camille chatted over email about some bike-related things and his new project ‘The Circus’.

Firstly, what's go you into cycling and cycling photography?

When I was a young lad my old man used to take me to the 6 days in London. Trips over to Belgium on the Hovercraft. I am a second generation cyclist.There is that old expression, “once you have raced your a racer for life”. Or is it “Once a bike rider always a bike ride”. Something like that.  

So, did you race? What did you take from that?

My first race was at 8, cyclo cross. I started at the top of a hill straight down through a river. The old man put me in a Junior event! Good work! I cried. What did I take from being a bike racer? The body has no memory of the pain, only the emotions surrounding it.  I don't stop until I literally can't move. As long as I breath, I attack etc.

Since your so close to the ‘pro-scene’, is there anything that surprises you? Or should I re-phrase that? What have you been most surprised by?

Just how transitory everything is, nothing is fixed. One reason for the name ' The Circus’. Also, there are ring masters.

I'm glad you've mentioned your book 'The Circus'. Perhaps you could say a bit more about that and what is your criteria for a photo 'making-the-cut' lets say?

Just because its ‘a name’ in the picture doesn’t mean it makes the cut. A picture has to have something other. A moment, a story, an insight.. a ‘what-the-fuck!’. I like a WTF picture best.

Do you have any cycling pet hates, or photography ones for that matter?

Cycling pet hates. The usual, half wheelers, stems under 110cm and nodders. Photography. In the context of reportage and cycling, I hate faux reportage, selective sharpening, a long list. Shooting into the sun, exposing for the highlights, de-saturating. Would you like the full rant?

What's the best context for your work? Do you find that the social media sites such as Instagam and Twitter hinder or help the way in which your work is seen? 

Best context for my work is book or on the wall. Social media is fun, it can help for sure, but Instagram is mostly ‘not’ about photography.

What challenges does a sports photographer face?

Challenges for sports photographers hmmm, I don't see myself as one actually. I'm a photographer / artist that is obsessed with cycling.  I would imagine the hardest part of being a sports photographer is dealing with the boredom of it. Can you imagine being a finish line photographer?! Also, most cycling and sports photographers are looking not just for a moment, but brands to flog their images to.

You say you don't see yourself as a sports-photographer, more an artist. How do you feel your work fits into the art-context? More-so, what posses you to photograph bike-racing?

Art context, hmm.  I'm into finding things, exploring. Why bike racing? Bike racing set me off on my path in life. I left school at 16 and went and raced. That was it. I went back to school to study Art at 22 years old. Bike racing never leaves you. The thing is it’s ‘The Greatest Show on Earth’.

Whats your process? Do you like to wing-it? or is there a set-plan for every race? Are you in the team cars or just roaming like a spectator?

I'm on the back of moto's, on my own moto, in team cars, with mechanics, hitch-hiking. Whatever way to get the things I want. I always go with an idea. I focus just on that, just that. I’m an Artist you see.

If you would like to pledge funds to the Kickstart project of 'The Circus', please follow the link below. 

https://www.kickstarter.com/projects/541205917/the-circus-a-book-of-cycling-reportage-photography

Photographs by Camille McMillan.